Search by Artist
0 Items in Shopping Basket Checkout   |   My Account
       Home         New Releases         Labels         Artist A-Z         Live         News/Reviews         Press         Register         About Us         Contact us
Gramophone Awards 2011 - Chamber and Recording of the Year Award

“The Pavel Haas Quartet play with plenty of feeling and they also relish the rhythmic cut and thrust of the Molto vivace third movement, capturing to perfection the more relaxed Trio''s sunny spirit.The final opens to a gentle smile then keys up for some dancing exuberance...there''s an abundance of varied drama” Gramophone Magazine, December 2010
Gramophone Awards 2011 - Contemporary Award Winner
“In a welcome if rare excursion into contemporary music, and recorded with tinglingly immediate atmosphere, the Hallé under Ryan Wigglesworth sound on top form throughout” Gramophone Magazine, October 2011
Collegium Vocale Gent
Bach: Motets – Collegium Vocale Gent/Herreweghe


So fast has the early music movement grown that it is difficult to believe that it''s 30 years since Philippe Herreweghe''s fresh-voiced choir first recorded the Bach motets. They now revisit these peerless masterpieces with young voices and a very varied approach to scoring. These days, directors tend to choose between one singer to a part, or a larger choral approach, sometimes doubling voices with instruments; Herreweghe does all three here with different motets. Jesu, meine freude with just five soloists and continuo is perfectly poised, while Singet dem Herrn (which Mozart so revered) and Der Geist hilft burst into life with more singers and instruments. Throughout, Herreweghe achieves a supremely flexible responsiveness to the texts.

The Observer, Sunday 14 August 2011
vcbbvbvbcb
fgzfxvcxvxv

  


Rock, Pop & Metal - News/Reviews


  And You Will Know Us By the Trail Of Dead
 
...Trail Of the Dead first got themselves noticed thanks to jarring rhythms and off beat songwriting that was as good as their homescooled-kids' bowlcuts were terrible. Festival Thyme is a four-track prelude to their sixth studio album, The Century Of Self and, on this evidence, it shows no signs if their quirky powers diminishing. It pitches itself somewhere between chamber rock and luscious indie music, like Death Cab For Cutie or Jane's Addiction channelling something of the artier-than-thou constellation records roster. It's a strong, electrifying treat. 4 K - Kerrang

Recordings >>
  Bill Wymans Rhythm Kings
 

Recordings >>
  City Of Prague Philharmonic
 

Silva Screen must be one of the most carbon neutral record companies around,given the amount of re-cycling they do. This latest collection of classic film themes contains cues already featured on such albums as Music from the Films of Steven Spielberg,Psycho – The Essential Alfred Hitchcock,The Greatest Cinema Choral Classics,The Great British Film Music Album,The European Film Music Collection and various ‘Essential Classics’ featuring the works of Michel Legrand,Maurice Jarre,Elmer Bernstein,Nino Rota,Ennio Morricone,Max Steiner and Bernard Herrmann (you get the idea). There’s nothing wrong with this per se,and first-time buyers will no doubt appreciate the diversity of tracks on offer,which take in everything from Gone with the Wind to The Da Vinci Code (the latter also featured on – wait for it – The Essential Hans Zimmer Film Music Collection). For hardened soundtrack buffs though,the collection will seem very second hand and familiar. That point made,there is a good selection of genre cues spread over the six discs,including tracks from Dr. No,2001,Twisted Nerve (the ‘whistling’ theme used by Tarantino in Kill Bill,Vol 1),The Exorcist,Superman,Close Encounters,ET,Star Trek,The Lord of the Rings,Spider-Man,Harry Potter and,inevitably,Star Wars. The quality of playing (care of the Prague Philharmonic) is generally very good,though the standard does occasionally slip (the tempo on Jurassic Park is a tad uncertain,as is some of the brass work). At the end of the day,with all objections aside,there’s no arguing that this is a pretty definitive compilation - despite the barefaced cheek of it all. SSSS - Howard Maxford - Starburst


Recordings >>
  Comfort Zone Series
  c
Recordings >>
  Govt Mule
 

Recordings >>
  Howard Shore
  …Howard Shore's Hitchcockian masterpiece... DVD Review 4*


... think Aaron Copland soundtracking the paintings of Edward Hopper... - Mojo

There's inspiration at work here... Horner's best work in yearsHOTDOG MAGAZINE


Recordings >>
  James Bond
 


...an irresitable collection that will leave Bond fans in double-o heaven. Starburst 5 Stars


Recordings >>
  Joan Jett & The Blackhearts
 

Recordings >>
  Manowar
 

..you can't deny their genius when it comes to crafting empowering anthems….Kerrang K K K K


Recordings >>
  Phantom Limb
  'Phantom Limb' is the eponymous title from the Bristol based six-piece. So here's the thing. I'd not heard of Phantom Limb when the CD turned up at my desk. The CD is very dark in colour,with gothic writing style on it. So I prepared myself for a blast of what I assumed to be a hard rock band. Imagine my surprise when out pours sweet soulful songs. There's a story here about not judging books (or CD's) by their cover. This album has a predominantly soulful sound to it,with a feeling of soft deep-south country and bluegrass. The highlight is undoubtedly the beautiful sounds are raw power in the voice of singer Yolanda Quartey. Even though only in her early twenties,Yolanda has previously fronted Massive Attack,and contributes vocals to their forthcoming album. You start to get a feel about what you are dealing with here.

To describe the musical experience I can only think of early Aretha Franklin,with musical stylings of The Band (think 'I Shall be Released' and 'The Night They Drove Old Dixie Down').

Stand out tracks on the album for me are the first single 'Don't Say a Word' and 'Withering Bones'. Both are beautifully arranged with a bluesy / gospel feel to the tracks. 'Run' has thought provoking lyrics,a catchy melody that may belie the words,and perfect use of piano and double bass evoking feelings of early Tracy Chapman.

The 10 songs that make up the album come in at a little under an hour,with the songs taking as long as they take,and not giving into 3 minute radio slots.

I'm not going to lie. I adore this album. It caught me by surprise,but I can't stop listening to it. Go and buy it. Stop whatever you were doing,put some big old headphones on and listen to it. Debut albums like this don't come up often,and they deserve lots of praise for it. Magic.
Glasswerk.co.uk - Dave Curtis

Bristol-based Phantom Limb’s self-titled debut album comes at you like a veritable soul and gospel classic from another time. The sound is organic,capacious,respectful to its antecedents,the songs almighty (especially ‘Don’t Say A Word’,‘I’ll Never Be The Same Again’ and ‘Playing With Death’) and the performances inspired,while Yolanda Quartey’s vocal delivery p****es all over the competition out there.
Hope transcends despair on the likes of ‘My Love Has Gone’,‘Run’ and ‘Good Fortune’ – hope engendered largely by Quartey’s soaring voice. Perfect.
Rock'n'Reel - David Burke *****




Recordings >>
  Puddle Of Mud
 

Recordings >>
  Southside Johnny & The Asbury Jukes
  ury
Recordings >>
  The Urban Voodoo Machine
 

 


Recordings >>
  Various Artists
  ts
Recordings >>
  …. And You Will Know Us by The Trail Of Dead
 

Recordings >>